Chief Executive Thomas Engdahl at ADS office in Hollywood.

Chief Executive Thomas Engdahl at ADS office in Hollywood. Photo by Ringo Chiu.

Postproduction and technology companies suddenly are competing to convert old reruns into new 3-D TV. They’re hoping 3-D catches on in home theaters this year as it did in movie theaters in 2010.

Last week, Hollywood postproduction company Advanced Digital Services Inc. announced the addition of conversion services to its repertoire, looking for studios that want to convert 2-D TV libraries to 3-D. ADS is competing with Dynamic Digital Depth, a Westchester-based technology company that licenses mobile 3-D conversion technology.

Both ADS and DDD use software to identify where 3-D could be added to a shot. A technician then does the conversion.

Thomas Engdahl, chief executive of ADS, is marketing the new service to studios and production companies. Those customers can then sell the 3-D content to cable and satellite providers including Comcast and DirecTV, which both have 3-D channels.

In June, Disney became the first studio to launch a 3-D channel, ESPN 3-D.

But there could be more to come.

This March, studios began sending Engdahl clips of old shows, asking if he could convert them to 3-D on a trial basis. That spurred him to train three members of his postproduction team in stereography, the technique used for conversion.

In the following months, he has seen more interest from studios looking to convert and commercialize footage that would otherwise be sitting on a shelf. He said he’s in talks with two studios and a production company, but declined to name them.

ADS’ main business will remain in other areas of postproduction, including creation of media kits, high-definition conversions and editing. The company has 86 employees.

“We’re all about monetizing,” Engdahl said. “Two-D to 3-D is enhancing our customers’ ability to make money.”

ADS charges about $3,000 to $5,000 per minute of conversion, while DDD charges around $10,000 per hour for TV conversions. Both companies have a similar approach, but ADS has a more detailed technical process. And both are considered in the middle of the pricing pyramid. For comparison, conversion of theatrical films from 2-D to 3-D can run up to $100,000 per minute.

DDD, which has 30 employees, and ADS offer relatively lower prices in part because conversion for TV requires less labor. Rather than work on each frame individually, as is done for theatrical releases, TV technicians convert entire scenes at once.

Low demand

The conversion opportunities are ultimately tied to how popular 3-D TVs become. Last year, only 1.2 million 3-D TVs were sold in North America, according to New York market research firm ABI Research. High prices and little content were two reasons cited by El Segundo research firm iSuppli for low consumer demand.


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